REVIEW ARTICLE
Autopsy in European art of the last five hundred years. A short story
 
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Academy of Fine Arts in Gdansk, Poland
 
 
Submission date: 2019-02-06
 
 
Acceptance date: 2019-02-16
 
 
Publication date: 2019-04-24
 
 
Pol J Pathol 2019;70(1):57-61
 
TOPICS
ABSTRACT
The Renaissance was a surge in intellectual development. It was the time when almost everyone was interested in science, a specially in medicine. It was a period they were interested in human body, and they wanted to know about it as much as was possible. The autopsy was more and more popular. That popularity had been noticed by the artists. Since the end of Middle Ages the anatomy of the human body and the anatomy lessons has been used by artists as a topic in their art.
REFERENCES (16)
1.
Danse Macabre, executed at the end of 15th Century, now in St. Nicholas’ Church (Niguliste Museum), Tallinn.
 
2.
Wolgemut Michael. Woodcut 1493, Nurnberg.
 
3.
Totentanz, Hans Holbein. 1525.
 
4.
The Anatomy Lesson for Artists, before 1592, Galleria Borghese, Rome.
 
5.
The Anatomy Lesson of Dr. Sebastiaen Egbertsz, 1603, Amsterdam Museum, Amsterdam.
 
6.
Anatomy Lesson of Dr. Willem van der Meer, 1617, Gemeente Musea, Delft.
 
7.
The Anatomy Lesson of Dr. Joannes van Buyten, 1648, Koninklijk Museum voor Schone Kunsten, Antwerp.
 
8.
The Anatomy Lesson of Dr. Frederik Ruysch, 1670, Amsterdam Museum, Amsterdam.
 
9.
The Anatomy Lesson of Dr. Frederick Ruysch, 1683, Amsterdam Museum, Amsterdam.
 
10.
The Anatomy Lesson of Doctor Nicolaes Tulp, 1632, Mauritshuis Museum, The Hague.
 
11.
In 1656, he created another painting devoted to this subject: The Anatomy Lesson of Dr. Deijman, Amsterdam Museum, Amsterdam. Unfortunately, most of it was destroyed in a fire in 1723. The preserved part of this painting shows Deijman performing a brain dissection.
 
12.
Alan Milchman and Alan Rosenberg use the term “transformative experience”, vide: Milchman A, Rosenberg A. Eksperymenty w myśleniu o Holocauście. Auschwitz, nowoczesność i filozofia (Experiments in Thinking the Holocaust: Auschwitz, Modernity and Philosophy), tr. Krowicki L., Szacki J. Warsaw 2003; 11 ff. Dan Diner calls this phenomenon “rupture in civilisation”, vide: D. Diner, Vorwort des Herausgebers. In: id. (ed.), Zivilisationsbruch. Denken nach Auschwitz, Frankfurt am Main 1988, p. 7. However, the most radical in this respect is Philipp Lacoue-Labarthe, who treats Holocaust as a turning point in history in Hölderlinian sense, vide: Lacoue-Labarthe P. Heidegger, Art and Politics. The Fiction of the Political, Oxford 1990; 45.
 
13.
Vasilski D. Minimalism in architecture: Materials as an instrument of perception. January 2013. DOI: 10.5937/a-u37-3761.
 
15.
Foucault M. Historia seksualności (History of Sexuality). Banasiak B, Komendant T, Matuszewski K. Czytelnik, Warsaw 1995; 122.
 
16.
Purc-Stępniak B. Sekcje zwłok i demonstracje medyczne w malarstwie i grafice europejskiej od XVI do XVIII wieku (Autopsies and Medical Demonstrations in European Painting and Graphics From 16th to 18th Century). In: Joahim Oelhaf and his successors. Szarszewski A, Siek B (ed.). Medical University of Gdansk, Gdańsk 2013; 111.
 
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